關(guān)于花女讀后感

　　花女讀后感

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　　Pygmalion - the flower girlPygmalion is a play written by George Bernard Shaw. It was first performed in 1914. It tells the story of Henry Higgins, a professor of phonetics. Phonetics is the study of speech sounds. Higgins makes a bet that he can transform a flower girl from the streets of London into a high clalady within six months.The central idea of the play is that your life can be shaped by the way that you speak.Bernard Shaw took the title Pygmalion from mythology. The Pygmalion myth features in Metamorphoses, a work by the Roman poet Ovid. In Ovid's telling of the story, Pygmalion is a lonely sculptor who carves an ivory statue representing his ideal of womanhood. He falls deeply in love with his own creation. He prays to Venus, the goddeof beauty and love who takes pity on him and brings the statue to life.This scene takes place in Covent Garden market, where Freddy and his mother and sister have taken shelter from the rain. They are joined by the flower girl. The conversation is overheard by Henry Higgins, whose hobby it is to record overheard speech phonetically, so that he can recreate it exactly. He claims to be able to identify exactly where people come from based on the sound of their speech.Taken from: Pygmalion: a play in five actsAuthor / Creator: George Bernard ShawPublisher: Constable and Company Ltd.Date: 1918Copyright: By permission of the British Library BoardShelfmark: 11774.b.50

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　　圣潔的靈魂-茶花女讀后感 我愛(ài)讀書，更愛(ài)讀《茶花女》這樣的好書，花女讀后感。 墻角里鉆出一朵茶花。一個(gè)陰冷、黑暗、潮濕、沒(méi)有陽(yáng)光的墻角，糜爛是它的養(yǎng)料，讀后感《花女讀后感》。然而，這茶花卻比別的茶花，甚至別的任何一種花都漂亮，美得脫俗，美得驚人，美得如癡如醉。可凡是花都是向往陽(yáng)光的。努力、再努力一點(diǎn)，在茶花碰觸到陽(yáng)光那一剎那，在它因陽(yáng)光的滋潤(rùn)而嬌艷欲滴的那一剎那，無(wú)情的風(fēng)折斷了花枝，讓它又倒在了陰冷的角落，無(wú)力再爬起，再去觸摸那伸手可及的陽(yáng)光。上帝是仁慈的，為了彌補(bǔ)命運(yùn)對(duì)它的不公，沒(méi)讓它凋零后再死，而是讓它保持著美貌離開(kāi)了世間。 瑪格麗特的愛(ài)情悲劇故事就是這樣的。一介弱質(zhì)女流在放蕩且無(wú)目的的生命中找尋到了真愛(ài)，為此放棄了自己習(xí)以為常的大量物質(zhì)享受，放棄了一切能使自己暫時(shí)快樂(lè)的糜爛生活習(xí)慣，只為求能和最愛(ài)的人呆在一起。要從深陷的泥潭中爬出來(lái)，是要花很大的力氣和決心的，況且還要使自己最小程度地被泥水污染。瑪格麗特做到了，而且做的非常出色。可如此巨大的付出，換回的仍是人們的不理解和排擠，還有自私的人們的惡意中傷。巨大的阻力最終還是使瑪格麗特和愛(ài)人分開(kāi)了，誤會(huì)使最愛(ài)的人再自己最需要安慰的時(shí)候羞辱她，這是何等痛苦的事情?也許真的只有死亡可以拯救她。是的，瑪格麗特死了，孤獨(dú)的死去，再也沒(méi)了活著時(shí)的'奢華，以前無(wú)數(shù)的情人也忘了她。生前的生活愈是轟動(dòng)，死的時(shí)候就愈是冷清。 讀后感：亦或許，瑪格麗特并不是個(gè)完全的悲劇人物，至少，她得到了真愛(ài)，她的靈魂得到了凈化。貴婦人們只看到了她生活的奢侈和物質(zhì)的享受，卻不知道她高尚的情操也是自己所望塵莫及的。希奇的資本主義上流社會(huì)的人們，明明鄙視放蕩的妓-女，卻又要逼良為娼。假如瑪格麗特沒(méi)有生在這樣一個(gè)骯臟、虛偽、殘忍的資本主義時(shí)代，或許她就是圣母瑪利亞。可惜那樣的社會(huì)，那樣的時(shí)代，連圣母也會(huì)被玷污。而在瑪格麗特被玷污的軀殼下，頑強(qiáng)而又圣潔的靈魂正是讀者們暗暗哭泣的原因。 感謝小仲馬塑造了茶花女這樣一個(gè)可悲卻又可敬的漂亮女子。然而，希望那已死去的花朵再次從泥土中萌芽、重生的時(shí)候，遠(yuǎn)離那陰暗的墻角，能天天和陽(yáng)光為伴，即使不再那么漂亮，也不要重復(fù)前世的悲劇。

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